By: Ryan Dowd
Eric Church’s video for “Give Me Back My Hometown” is dark and confusing, but unlike the music of his frolicking Florida Georgia Line counterparts, it’s confusing in a lot of the right ways.
By: Michelle Tomassi & Emily Sadeghian
Various students share their professional styles, stores of preference, and tips on how to dress for success, as the campus gears up for a critical time of year in internship placement.
By: Magdalena Lachowicz
Director Spike Jonze forgoes the cliches, telling an unconventional story of love that’s strikingly honest, set in the future, but reflecting on today.
By: Therese Tully
The new year will come with unrealistic promises, but a new you can start with a new look.
By: John Wiley
In the Internet era, the “award show” is an outdated institution.
By: Harry Mitchell
Fading West is a consistent, albeit slight, album that forgoes the doom and gloom of some of Switchfoot’s more recent works, but ultimately, doesn’t have much to show for itself.
By: Ariana Igneri
This weekend in the arts, the Tony-award winning musical Once will be performed at the Boston Opera House, a 50 Shades of Gray parody will be presented at Citi Shubert Theatre, and the Plain White T’s will be making their way to Boston College.
By: Katlyn Prentice
Goulding’s latest video is bursting with colors, but has little to add to the song.
By: Sean Keeley
High Hopes is a disjointed album with a few standouts mixed with clunkers.
