‘Sex and the City’ disguises as a light-hearted show, yet, it’s an essential watch for women in college because of the realistic portrayals of everyday problems that aren’t always represented properly on television.
Arts, Column
Vathanakul: Streaming Has Changed the Way We Perceive Documentaries
From true crime to musician biopics, Tarisa Vathanakul analyzes the impact of streaming services like Netflix on the documentary genre.
Arts, Television
‘Griselda’ Immerses Viewers Into the Life of a Complex and Multi-Layered Villain
Netflix’s latest offering, Griselda, brings to the screen a riveting tale of crime, power, and resilience.
Review, Arts
Matt Rife Is Inconsistent in ‘Natural Selection’
Rife struggled with his later jokes when met with a much larger audience. His opening act, however, is haughty, shocking, and hilarious.
Arts, Television
‘The Crown’ Season 6, Part 1: Dalliances, Diadems, and Diana’s Demise
Jam-packed with opulence, tension, and grief, this new season chills audiences with its dramatic renditions of real-life events.
Arts, Television
‘The Fall of the House of Usher’ Is a Mature Slow-Burn Series
Just before Halloween, Netflix conjured up a series worthy of the spooky season. The streaming service welcomed its new horror series ‘The Fall of the House of Usher.’
Movies, Arts
Wes Anderson’s New Short Film Demands Close Attention to Multi-Layered Narrative
Released on Sept. 27 on Netflix, The Wonderful Story of Henry Sugar is an adaptation of author Roald Dahl’s short story of the same name.
Television, Arts
‘Sex Education’ Ends on Surprising but Satisfying Note
The hit British comedy drama’s fourth and final season was released on Sept. 21 and is already back at No. 4 on Netflix’s list of the top 10 TV shows in the United States.
Column, Opinions
The Show Must Go On
I felt like I was reminiscing with a departing friend as we all sat around recounting our favorite jokes and picking which episode to watch next, knowing the show would soon exist only in my memories.
Arts, Column
Weynand: Netflix Has A Content Problem, And It’s One Of Its Own Doing
After the cancellation of 1899, staff writer Jack Weynand demands Netflix to allow small shows to grow their audience over time instead of canceling shows after one season.
