album review - The Heights

Church takes on both country and R&B in this dynamic, ambitious project.

Field Music’s latest album lacks lyrical creativity and interesting vocals.

Coldplay evolves, embracing electronic and techno styles, but ultimately disappoints with the derivative pop-rock formula.

Adele stakes her claim. ’25’ is a revival album, and it’s as much a tribute to love well-lost as it is to the traitorous act of getting older.

English alternative-rock band Editors substitutes an overwhelmingly melancholy sound for something more hopeful, but still, you know, ominous.

Drake and Future recorded ‘What a Time to Be Alive’ in nine days at the heights of their collective power.

The Scottish synth band’s second record ‘Every Open Eye’ is a polished and personal maturation for the band.

‘Honeymoon’ is a sonic and emotional maturation for Lana Del Rey, though she’s still as mysterious as ever.

The Pittsburgh rapper leaves the ‘frat-rap’ behind and makes the move to the adult table in his third full length LP.

One of the 80’s most successful bands reinvents its glitzy grunge for an audience born after their biggest hit.

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