“Doing Waiting for Godot to start with felt like the right thing to do, it felt like the right play for the right time and it was a play that not only spoke to the times, but could be done in these times because it can be done outside,” said Nicole Galland, the director.
The play, published even before the 2016 elections, fits uncannily with the recent college admissions scandals, from Felicity Huffman and Lori Loughlin to Harvard’s affirmative action lawsuit.
Rosetta Tharpe and Marie Knight are the subjects of a show put on by the Greater Boston Stage Company and the Front Porch Arts Collective from Oct. 17 to Nov. 10.
Advice columns started showing up in newspapers in the late 19th century. Dealing mostly with household tricks, the columns were primarily targeted toward women. But, the advice column has changed.
Choir Boy, in its first post-Broadway production and New England premier, brings the hallowed halls of the fictional Charles R. Drew Prep School, an elite academy dedicated to instilling excellence in young black men, to Speakeasy Stage Company in Boston.
Central Square Theater’s adaptation of Arthur Miller’s ‘The Crucible’ adds a new flair to the familiar classic.