Staff Writer Parker Leaf dissects Grammy looks from the winners of the four biggest categories.
Yo La Tengo Brings Shoegaze To Modern Listeners With ‘This Stupid World’
Yo La Tengo keeps shoegaze genre alive without sounding repetitive in this Stupid World.
YNFA: Healy’s Effortless Genre Blending Creates Rare Sound
Healy’s lyrical depth accompanies airy synths and hip-hop style beats in his music, showing an array of influences and his individuality through music.
Skolimowski’s ‘EO’ Questions Humans’ Coexistence With Animals
The Oscar-nominated film excerpts from the tragic life of a donkey that faces the reality of human caretaking.
‘Pamela, a Love Story’ Offers Unique Glimpse Into Anderson’s Story, but Lacks Closure
Anderson shares intimate details through interviews in the Netflix docuseries, but mostly is unable to explain her past beyond the surface level.
Romero: The Met Gala Should Have Reconsidered Its Choice of Honoring Lagerfeld
Staff writer Ernest Romero argues that the Met Gala should have reconsidered its choice of honoring Lagerfeld at the 2023 Gala.
Shania Twain Abandons Country for Generic Pop With “Queen of Me”
Best-selling female country artist Shania Twain releases “Queen of Me,” an album that is mostly repetitive and fails to live up to its name.
DOBC’s Showcase ‘Reputation’ Centers Around Kindness and Empowerment
‘Reputation’ features dances from 20 different student choreographers under the theme of empowerment and kindness.
‘Living In Color’ Poetry Event Celebrates The Black Experience With Powerful Performances
The poetry event in the Cabaret Room consisted of students sharing stories and the message of power through art.
Weynand: Netflix Has A Content Problem, And It’s One Of Its Own Doing
After the cancellation of 1899, staff writer Jack Weynand demands Netflix to allow small shows to grow their audience over time instead of canceling shows after one season.