The all-guy a cappella troupe put their considerable collective vocal range to productive use in their Fall Cafe.
Love And Blood: The Surreal, Stirring ‘Big Love’
Although it bear’s some of the weight of Charles Mee’s original work, the production can’t quite string together a play that’s both engaging and insightful.
#TheEmptyChair And The Enduring Stain Of Bill Cosby
The legacy of ‘The Cosby Show’ cannot be erased, but is it possible to separate beloved patriarch Heathcliff Huxtable from Bill Cosby’s alleged crimes?
ABC Mixes Muppet Absurdity With Mockumentry Format
Jim Henson’s classic characters are back and this time taking on real relationships, albeit in the most Muppet-esque fashion.
Jessica Jones Emerges As Another Crime-Fighting Cook In Marvel’s Hell’s Kitchen
The Netflix original starring Krysten Ritter depicts the light and dark side of “new-age” superheroes. Can Jones save herself before saving the world?
Adele’s ’25’ Rests On A Sweet, Roaring Melancholly
Adele stakes her claim. ’25’ is a revival album, and it’s as much a tribute to love well-lost as it is to the traitorous act of getting older.
Lines & Bodies: A Sketch Of An Artist, A Conversation With Vinny Roca
“Go to the MFA when your teachers tell you too, don’t just look at images online. Go to First Friday. There’s free wine. Really, there’s just free alcohol.”
The Chief Seamlessly Blends Genre In A Surprise Release
‘Mr. Misunderstood’ further justifies Church’s stardom—the ability to harness country, rock, blues, and pop into a singular body of work.
There Ain’t No Dowd: A Reasonable Finale
Please, for all our sakes and your own dignity, hide your tears. Pull yourself together. This is, so far, the easiest column I’ve ever written.
Scene & Heard 4 – Sean Seaver
“There’s not, like, a quota or a threshold for time spending music for me. It just like always increases, so I don’t get sick of it, I guess. I just care more, and I care more about other artists, and that in turn makes me care more about my own craft.”